The movie is practically immune to spoilers so you may read this without fear
Nolan’s movies have an uncanny tentacular grip in my head and I often go back to them when time permits. I never expected any less from the man who gave us the Batman Trilogy and Inception. The mastermind Anglo-American director has never believed in a linear plot as his movies transverse several timelines. He does the same with Dunkirk, where he basically throws his audience in the deep end of the pool – an intense evacuation. I was at the edge of my seat throughout the film. Hans Zimmer’s music perfectly complements the cinematography. Travelling through land sky and sea, with the divisions never too clear, Dunkirk is one of the finest films I have ever seen. Like the sea which is a constant presence in the movie, dawning both death and life, the movie bobs and weaves for 2 hours, managing to keep you on your toes.
Centred around the historical rescue of stranded British and French soldiers at Dunkirk during the second world war as they are incessantly pounded by the Nazi forces, you may realise that you know the story before its even begun. But you don’t. The characters, adrift in time and experience are what make this story multi-dimensional – the soldiers barely surviving on the beach at Dunkirk, grasping their helmets and lives; the brave requisitioned civilian rescue boats that fight their way through treacherous seas and the pilots who circle the skies, taking down enemies. Nolan pursues larger questions about life, time, memory and identity, deliberately stripping off all specifics of all character, their beginnings and ends like loose strings that can be tied at will. The experience is ethereal – the lost soldiers, dealing with personal identity amid a crisis that is manifested both internally and externally. These experiences on screen – Nolan-esque in portrayal – are metaphors of our daily life experiences anchored in great screenplay and outstanding cinematography. The different storylines run parallel yet overlap and it is heartening to see all of them come together in the end after a diligent struggle in space and time.
Unlike war genre movies that I have seen so far, Dunkirk doesn’t shove over-sentimentality down your throat nor does it rove on about struggle and some moral enigma. This film is less about war and more about survival – it brought to my mind GB Shaw’s ‘Arms and the Man’ which deviated from the norm of showing buck swaggering valiant soldiers to show the grim reality, the fear of death even in the bravest of men. Dunkirk is nothing but cinematic perfection and is yet another feather in the Nolan’s cap.
Picture: YouTube/Warner Bros